The critical reaction to Jean Nouvel's mountain of broken glass at 100 Eleventh Avenue has been mixed so far, but here comes a heavyweight to shape the discussion moving forward. The New Yorker's Paul Goldberger, author of one of our favorite architecture takedowns of all time, sizes up Nouvel's Vision Machine in West Chelsea, and...he likes it! In a piece that's also a Nouvel career retrospective as well as a public spanking of the City Planning Commission for decapitating Nouvel's MoMA Tower ("The commission wanted, in effect, to landmark the sky"), Goldberger explains why the facade gets him hot:
When the whole thing is put together, it looks like a vast, reflective Mondrian, or like huge glass shingles, randomly assembled. Each of the angled windowpanes—there are more than sixteen hundred—reflects light slightly differently, making the building glitter like sequins in the afternoon sun. If you are tired of the way every modern building feels flatter and thinner than the one before it, well, so is Jean Nouvel.
And, kaboom, he also got inside!