Impulse, an interactive installation made up of 12 oversized illuminating seesaws, will be on Broadway, in the Garment District, until January 31. Part of the Garment District Alliance’s public art program, the installation will be located on a block temporarily closed to traffic between 37th and 38th streets. As passersby hop on them, seesaws illuminate and emit sounds, transforming the area into “a gleaming winter wonderland,” the description reads.

On view until May 4 in Tribeca park, Dream Machine: Dandara from Brazilian artist Rubem Robierb, features two ten-foot high pearl white fiberglass wings with a space in between for viewers to place themselves. It’s part of the artists’s Dream Machine series, a set of sculptures named after someone “forgotten or famous who lived or died fighting for their own dreams, or for the dreams of others,” the installation description says. This one is named after a transgender woman who was murdered in Brazil in 2017.

“Brick House” by artist Simone Leigh, on view at The High Line’s Spur, features a 16-foot-tall bronze bust of a Black woman. The bust, “a combination of the forms of a skirt and a clay house,” the installation’s description reads, is part of Leigh’s “Anatomy of Architecture” series that merges architectural forms from different regions of the world with the human body. The sculpture will be on view until September 30, 2020. 

On view until August 30, 2020, this Public Art Fund installation by French artist Jean-Marie Appriou features large equine sculptures made from cast aluminum, inspired by the carriage horses that carry tourists around Central Park and its surrounding area. The artist reimagines the horses, the installation description says, with “jagged textures and silvery surfaces [that] create a dynamic play of light and shadow as we move around them.”

On view along Broadway from 64th Street to 157th Street, Holiber’s installation features 10 sculptures of NYC birds in danger of extinction. The sculptures are made of reclaimed and untreated lumber, allowing natural forces to affect them and “highlight the environmental challenges faced by each species,” per the installation description. Some of the species featured include the peregrine falcon, scarlet tanager, snowy owl, and wood duck.

“La Flor De Mi Madre,” by artist Naomi Lawrence at Eugene McCabe Field in East Harlem, features three large crocheted flowers made of acrylic yarn, as well as smaller ones made in collaboration with neighborhood artists. The flowers represent East Harlem’s diversity, including a pink dahlia representing Mexico, a yellow Christmas orchid representing Colombia, a red hibiscus representing Puerto Rico, impala lilies representing Ghana, lush pink bayahibe representing the Dominican Republic, and white frangipani representing the Ivory Coast. The installation will be on view until June 25, 2020.

On view until June 19 in Harlem’s Colonel Charles Young Triangle, a three-part exhibition by artist Nacinimod Deodee features a fence installation that runs along Adam Clayton Powell Jr. Boulevard with the numbers 1619, in reference to the year that American slavery began, and an infinity symbol. It also features a yarn installation in the park’s benches and lamp posts. Harlem Needle Arts presents the exhibition.

On view until May 31, 2020, “The Boogie Down (Youth) Booth” by artist Chat Travieso is located in Keltch Park, on 170th Street and Jerome Avenue. The artist was inspired by the Yes Loitering Project, an initiative that researched how teenagers might be excluded from public spaces and ways to create more spaces for them. The installation features a seating area, solar-powered lights, and speakers that stream music continuously, honoring “the sounds of the borough,” such as salsa, jazz, Afro-Caribbean rhythms, blues, hip-hop, and Garifuna.

“POOLTIME,” by artists Cheryl Wing-Zi Wong and Dev Harlan honors the now-defunct Aquacade, an aquatic amphitheater built for the 1939 World’s Fair. That space was a community hub “even decades after many of the other World’s Fair attractions had fallen into decay and disuse,” the description reads. Located at the north end of Meadow Lake in Flushing Meadows Corona Park, the installation recreates the experience of being under the water of a pool. On view until June 8, 2020, the installation is part of a larger programming initiative centered around the park as a site for the 1939 and 1964 World Fairs.

An interactive exhibition that includes an augmented reality app (designed by artist Jose Carlos Casado), this installation features posters, similar to those made for protests, with abstractions of 10 community volunteers’s hands. Casado captured images of their palms and ran them through a 3D imaging software. The volunteers are also painted on the side of each structure. This installation will be on view until April 5, 2020.

In Park Slope, on the Greenstreet triangle between Seventh Avenue and Park Place, an installation by artist Bill Soltis will be on view until July 31. Part of the “Under the Sun” series about “experimentation with the human form, positive and negative relationships and the interplay between the figure and a sculptural environment,” the description reads. Soltis’s works are usually an experimentation with patterns, lines, images, and shapes.

Brooklyn-based sculptor Fitzhugh Karol created “Field’s Jax,” a series of four installations placed around Dumbo, out of recycled steel. Karol challenges viewers to look for the next one and explore the neighborhood. It will be on view until April 28, 2020.

A collaboration between artist Lina Montoya and students from P.S. 39, this installation at Arrochar Playground was inspired by the Staten Island Ferry and the boats that came to Ellis Island and is a tribute to immigrant communities. On view until June 12, it is attached to a fence and features a boat full of butterflies, the Statue of Liberty, an airplane, and a square figure that represents the southern border.